what do you mean is an affectionate and very funny spoof of the trials and tribulations of making indie theater in a festival context. People who have labored in this world where the labor is all for love—and I hope I'll be forgiven for including myself, as attendee and occasional quasi-participant, in that group—will find laugh after laugh of recognition in this new comedy by Bruce A! Kraemer.
The premise is simple: Chris Oakmont thinks he knows how to write plays because he's seen some and was even on Drama Squad in high school. So he enters a theater festival and thereupon learns the hard way that there's a bit more to putting on a great show than perhaps meets the eye.
Kraemer's chief target here is the inexperienced wannabe theater artist, but the multitudinous satirical barbs in this play are directed at the world of the theater festival and the very specific types who inhabit it. There's a wise but cash-poor impresario, a visionary but temperamental director who is matched by an equally visionary but temperamental designer, an over-eager actor and a much less eager one, and an overeducated intern who has an MFA but few actual theater skills. This cast of characters is charged with teaching the clueless and hapless Chris how to write and put on his show, and in about an hour and a quarter they bring him from a virtually blank screen on his Macbook to the Festivius award night where their play (tiny little spoiler alert) will actually win at least one prize.
Many, maybe most, of the gags and insights are insider-y; people who don't inhabit the world of this play may not get why all this stuff is so hilarious and some may just think it's all pathetically true, reinforcing some of the stereotyped images that outsiders have of the indie/downtown theater scene. But if you've done a show in a "Festivius" you are going to enjoy much of what goes down here, from Peyton the Intern's zestful improv with a sock puppet to Sidney the Actor's stripping down for a gratuitous publicity shoot to Taylor the Designer's dissatisfaction with the theater's rep plot to Jessie the Director's run-in with Morgan the Producer when she wants a bonfire on stage.
Director Joan Kane keeps the pace quick and the tone light as what do you mean zips through trope after trope of festival production lore. She's assembled a fine cast that is firmly anchored by Teddy Lytle as poor playwright Chris; his blend of naiveté, optimism, and sheer vacuous-ness is invaluable. Imaginative work is contributed by the design team of Ian Wehrle (sound) and Audrey Nauman (costumes).
what do you mean is a fun celebration of indie theater and its foibles. Thanks, Bruce.
Ego Actus is looking for play submissions for The New York City Icon Plays: Love in an Irish Pub, which we will present at Quinn’s Bar and Grill in New York City. The evening will consist of five or six one-act plays. The show will be presented under the provisions of the Actors Equity Showcase Code. More details here.
Immediately after our run of what do you mean in NYC, we and the cast flew to Edinburgh. We open on Thursday, July 31 for 24 performances in the Edinburgh Festival Fringe at Spotlites @ The Merchants Hall. Click here to learn more.